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Ar Steven & The Ricochettes


           Welcome to the “RICOCHETTES” website. Since there were two completely different “Ricochette” groups (one in the 60s and one in the 80s), and I’m the only link that ties them both together, then I guess I’m as qualified as anyone to tell you about them both. Hi, I’m Ar J. Stevens, guitarist and unofficial leader of the “Ricochettes.” My real last name is Kriegel, but I’ve been using Stevens as a stage name since 1979. I’m going to divide this into two parts: 1) the 60s group, with a few pictures of how dorky we looked back then, and 2) the 80s group, with a few pictures of how dorky the band still looked. So, if you’re interested in visiting the dark ages with me, then kick off your shoes, get yourself something to drink, light up a cigarette (if you still smoke) and let’s get this show on the road.

The 60s - Milwaukee’s Beatles

           Milwaukee, Wisconsin 1963 - I convinced my buddy Herb Hohnke to quit playing the accordian and to learn how to play bass. I told him I’d teach him everything I knew about the bass, which took about 10 minutes. You’ve got to keep in mind I didn’t know a whole lot either since my main instrument was trombone, and I had only learned a couple guitar chords from my dad a few years earlier. We stumbled through some drummers until we found someone who could actually play a double stroke roll, John (Jon-Jon) Galobich. All that was missing was a rhythm guitarist who could sing the high parts. That part of the puzzle was solved when Jerry Wollenzien walked into our lives. Now we needed to learn some songs and get some gigs.

           As Herb and I were on our way to Jerry’s for rehearsal one night, we drove past a tavern called “The Ricochette” and immediately we both yelled out “Ricochettes” !!! Jon-Jon and Jerry agreed, and just like that The Ricochettes were born.

           As soon as we learned about 40 tunes, the band started performing at CYO (Catholic Youth Organization) dances and frat parties. Not much cash but alot of experience. When the gigs started taking us out of town, it was time to purchase a band vehicle. We settled on a ‘55 Caddy hearse. Yea, we were cool!

           Here it was February 1964 and, just like the Roswell incident 17 years earlier, the United States was being invaded, not by aliens, but by ----- Beatles. I wonder how many million other guys, as soon as the Ed Sullivan show ended, ran to the bathroom and combed their hair forward to see if they could look like the Fab Four. Rock and roll was headed in a completely different direction and the Ricochettes were going along for the ride of a lifetime.

           It seemed as though everyone, at least in Milwaukee, was in love with the Beatles including us. Since our own song writing was in its infancy, we decided that we’d get farther covering Beatle tunes than playing our own. Within a couple months we were known as “The Ricochettes - Milwaukee’s Beatles,” and since Jon-Jon was a friend of a big time promoter from Chicago, we became one of the opening acts every time he brought a British group to Chicago or Milwaukee. The pay was only $25 per show (for the whole group), but it was worth it because we got to open for the Rolling Stones, Dave Clark Five, the Hollies, Peter and Gordon, Herman’s Hermits, Wayne Fontana and the Mindbenders, the Animals, Chad and Jeremy and many more.

           The time was right to come out with a record so we recorded the Beatles’ “I’ll Be Back” along with a tune I wrote (“Can I Be Sure”). We chose that specific Beatle song because we had been told the Beatles were going to release “I’ll Be Back” only as an album cut, so we became the first group to record and release it as a single. Unfortunately our funds were limited, so only 500 copies were pressed. But we didn’t care. The radio station was playing it on a regular basis, and it was available at the record stores. Life was good.

           1965 brought one big change. Jon-Jon realized his forte was managing, booking, promoting and doing all the fun things Brian Epstein had done for the Fab Four, so he quit drumming and became our manager. In the process the Ricochettes went from a four to a six piece group by adding three new musicians. Robert (Humpty) Neuhofer became our new drummer along with Mick Milewski (second lead guitar) and his brother Jim (bass and tambourine). This gave Herb a chance to play organ on songs Jim played bass. Now that we had five really strong singers, we decided to dwell on songs which would show off our ability to harmonize.

           King Zbornick, a disc jockey in town, gave us a partially finished song written by Brian Hyland called “Come In My Love.” He said we should finish the tune, record it, and then he’d use his influence to get the song played on the radio. We did what he asked putting one of my tunes (“Losing You”) on the back and sure enough, it sold about 10,000 copies around the Milwaukee area. Even though it peaked at #14 on the charts in town, it never hit the Billboard 100. Just like a zillion other groups I guess it wasn’t meant to happen. We recorded one last single in early 1966 entitled “Find Another Boy” backed with another one of mine (“I Don’t Want You”). It received some radio play, but it was becoming more and more difficult for groups who were not with a big label to get their material played over the airwaves.

           The Ricochettes stayed with the six man format until late 1966 when Herb, Jerry and Humpty joined the Army Reserves. With them gone for probably six months or more, Mick, Jim and I decided to find another drummer and go out as a four piece group again. Luckily we were able to find Bruce Cole, a gifted drummer who also could sing his butt off. Now we had four singers who could all sing lead and harmony, so we stayed with tunes that had harmony, harmony and more harmony. We went into the recording studio a couple times but never came out with a finished product due to every musician’s problem --- no cash.

           By the end of 1967, with Herb, Jerry and Humpty still in the Reserves, I decided to bring the Ricochettes to an end. Mick, Jim , Bruce and I were all going in different directions musically, and since I would be graduating from college shortly, there was a good chance I’d get drafted. I was right. Good bye cruel world. Hello Viet Nam. I was just what the Army needed --- a guitar slinging trombone player!!!

           If you’re interested in what everyone is doing at present, here’s what I know. Everyone (except Jon-Jon and me) is still living in the Milwaukee area. Herb, besides owning an embroidery business, has been playing in a group called ”Summer Breeze” for about 30 years. Jon-Jon, living in Chicago, runs an internet business out of his home, but hasn’t played drums since Ford was President. Jerry runs his own contracting business and uses his guitar for an oar whenever he goes boating. You guessed it, he doesn’t play anymore either. Jim, besides working for the post office for over 35 years, plays in a group called “3 Eyed Shmelts.” Mick, along with running his own Tai Chi center, plays guitar in “Redeye.” Humpty has just retired after being in sales since the 60s. He also has not lifted a drum stick since Nixon quit. Bruce, besides working in the technical services department at Marquette University for the last 15 years, is drumming with “John The Conqueroo”, and is a free lance writer for the Shepherd Express newspaper. Thanks, Bruce, for the nice article on me! If you’d like to email any of us, click on the swinging mailbox at the bottom.

The 80s - Ain’t Rock & Roll Pretty

           The 80s came in with a bang, and another bang, and another bang. That was me smacking my forehead against the wall wondering why it had been ten years since I’d gotten out of the army and hadn’t put the old band back together. As soon as I got home from overseas in 1970, I joined the “Music Company,” a seven piece bar band. When they disbanded in 1978, some of us regrouped with a couple new members and formed “Holiday.” I stayed with them until late 1979 when I got an offer I couldn’t refuse from “Rocket 88.” As much as I enjoyed playing 50s music, I really wanted to be able to play my original tunes I had been writing.

           Finally, late in 1981 I decided it was time to put my own group back together, so I called all the old Ricochette members, but they were either in other groups or had retired from performing. So, I put a new group together. My nephew Mike Sommers (Drapela) had just graduated from college. He was a music major with trumpet and piano as his main instruments, plus he sang like a bird. I had auditioned drummers for a week straight, and after the twenty fourth one left my house, I was ready to put a gun to my head and end the misery. Thank God I answered the door when the doorbell rang for the twenty fifth time. In stepped Benny Zimmerman (Craig Gallas). We played one song together, and I knew I had found my Ringo. The group was complete when Bob Lutske (rhythm guitar / singer) and J. J. Brooks (bass / singer) were hired. Now all we needed was a name.

           After coming up with a million band names and just as many reasons why each named sucked, I thought about bringing back “The Ricochettes.” I called Herb, Jerry and Jon-Jon (the original Ric’s) and asked permission to reuse the name. I still had legal rights to the name (I think), but I could tell they didn’t want anything or anyone to stain the good name the Ricochettes had worked so hard to get. So on January 1, 1982 we agreed on “Ar & the Rockin’ Ricochettes” (which within six months had been changed to “Ar Stevens & the Ricochettes”) and we were on our way.

           Our first gig was the Buddy Holly tribute concert at the Surf Ballroom in Clear Lake, Iowa on February 3rd in front of 2,600 screaming rock & roll fans. The “Surf” was the last place Buddy Holly, Ritchie Valens and the Big Bopper performed before perishing in a plane crash back in 1959. I had forced the band to rehearse five days a week for a solid month before the gig since I knew none of them had ever played in front of so many people and the pressure would be on. We must have played well because a week later I got a call from Bobby Vee asking us to back him, Tommy Roe and Johnny Tillotson on a small tour in the midwest. (Bob had been the headliner at the “Surf”). Things were moving now.

           For the balance of 1982 we backed up Bobby Vee intermittently while still performing quite a few gigs by ourselves, but by early 1983 we were strictly backing Bob. So, we quit our day jobs and moved our families to Minneapolis, which was close to where Vee lived. Twelve years as an accountant at the Milwaukee School of Engineering was enough for me. Bob Lutske decided not to make the move, so we became a four piece group, and about six months later J. J. quit and moved back to Milwaukee. Steve Carlisle (Kenet) took over the bass duties without us missing a beat, and the fun was about to begin.

           Ar Stevens & the Ricochettes became one of two premier 50s / 60s back up bands in the country. For those of you who don’t know what a back up band is, it’s a band that plays and sings all the parts for an artist except for the lead vocal. For the artist it’s like having a live karaoke cd, only better. We backed up almost every artist who didn’t carry his or her own band. I think the artists enjoyed working with us because they knew we’d make it sound exactly like their records. Here’s the list of artists we proudly worked with: 1) Lee Andrews & the Hearts 2) Angels 3) Len Barry 4) Gary “U.S.” Bonds 5) Ace Cannon 6) Freddy Cannon 7) Gene Chandler 8) Chiffons 9) Lou Christie 10) Dee Clark 11) Coasters 12) Contours 13) Crystals 14) Danny & the Juniors 15) Bobby Day 16) Joey Dee & the Starliters 17) Dell-Vikings 18) Diamonds 19) Dick & Dee Dee 20) Bo Diddley 21) Dixie Cups 22) Ronnie Dove 23) Drifters 24) Duprees 25) Earls 26) Fabian 27) Fleetwoods 28) Frankie Ford 29) Sonny Geraci (Outsiders & Climax) 30) Lesley Gore 31) Harptones 32) Brian Hyland 33) Buddy Knox 34) Billy J. Kramer 35) Dickey Lee 36) Barbara Lewis 37) Bobby Lewis 38) Gary Lewis 39) Little Anthony 40) Little Eva 41) Peggy March 42) Martha & the Vandellas 43) Marvelettes 44) Chris Montez 45) Sam Moore (Sam & Dave) 46) Peter Noone (Herman’s Hermits) 47) Orlons 48) Paul & Paula 49) Ray Peterson 50) Platters 51) Johnny Preston 52) Rivingtons 53) Tommy Roe 54) Rosie & the Originals 55) Merrilee Rush 56) Mitch Ryder 57) Tommy Sands 58) Sha Na Na’s “Bowzer” (John Baumann) 59) Shangri-Las 60) Del Shannon 61) Dee Dee Sharp 62) Shirelles 63) Skyliners 64) Spaniels 65) Dodie Stevens 66) Johnny Tillotson 67) Tokens 68) Tymes 69) Bobby Vee 70) Vogues 71) Mary Wells & 72) Al Wilson.

           Besides performing at concerts the Ricochettes were also involved in a few TV projects. In 1985 Tommy Roe invited us and Bobby Vee to be on a PBS special called “Back To The Roots.” We also taped two music videos (without Roe or Vee) which became part of that PBS special. Then Roe asked us to back him on the “Solid Gold” TV show where Tom sang a new version of “Sheila”. 1988 was a busy TV year for the Ric’s as we recorded five shows on a Nashville Network (TNN) program called “Rock & Roll Palace” with Wolfman Jack as host, backing Bobby Vee twice, Tommy Roe twice and Buddy Knox. We also became part of another PBS special called “Buddy Holly & The Crickets - A Tribute” where we backed Knox and Vee along with performing two songs by ourselves. Since the Ricochettes were the only group that wasn’t a national act, our songs were the first to hit the cutting room floor when it was time to edit the show to ninety minutes. That was the bad news. The good news was when the host, Kris Kristofferson, announced Vee and Knox, he always mentioned the Ricochettes in the same breath. Thanks Kris!

           Ahhh, the Val-Air Ballroom (my favorite) in Des Moines, IA was where we re-corded our album. At the time, it was considered one of the best live albums recorded. Since the cost was so high we had only enough money to print 1,000 albums and cassettes. (I still have about 100 albums in my garage if anyone’s interested.) We named the album “Ain’t Rock & Roll Pretty” which was a saying that our friend Del Shannon would always use during his concerts.

           Traveling to England, Scotland and Wales (and even Spain once) turned out to be an event we enjoyed every twelve to eighteen months. Bobby Vee was and is huge overseas, so we’d perform between thirty and fifty shows in a six to eight week time frame. The tours would be either an all American show in which we’d back all of the artists, or a 50 / 50 show where the first half would have one or two Britsh groups and the second half we’d back Vee and maybe one other act. I was able to work along side and become friends with some of my favorite English groups - the Searchers, the Fortunes, Gerry & the Pacemakers, Wayne Fontana & the Mindbenders, the Tremeloes and Freddie & the Dreamers. Our first tour (October - November 1985) was still probably the most memorable as we backed Bo Diddley, Bobby Vee, Del Shannon, Frankie Ford and the Marvelettes with the closing act being Rick Nelson and his band. It was a real treat becoming friends with Rick and his group. The tour ended close to the end of November, and within a month Rick and his band had died in a plane crash. For me December 31, 1985 was my day the music died.

           1989 is when the crapola hit the fan. Within a six month period Craig and Mike both left the group mainly because of all the traveling. Loren Haake (drums) and Rick Helm (keys) took their places and did a great job. The work continued as we kept backing Bobby Vee both here and overseas. Then in 1991 Rick’s health took a turn for the worse and he left the group. A few months later Steve exited. Mike Laqua became our new keyboard player along with Steve Swenson on bass. As we entered 1992, and the group was really starting to gel, Bobby Vee announced he was putting his three sons (Jeff, Tom and Robb) in the band. He wanted to keep me on as musical director but Haake, Swenson and Laqua had to go. That’s when I decided the Ricochettes were a thing of the past. And that’s the name of that tune.

           If you’re wondering what everyone’s doing now, this is what I know. As of May 2006 my nephew Mike lives in Kansas City, Missouri and works for Southwestern Bell. Unfortunately he hasn’t touched his piano since he left in 1989 other than a couple reunions. Craig is still living in Minneapolis drumming for Bobby Vee’s son, Robb. J. J. is living in Florida singing in a country band. Nobody’s heard from Bob Lutske since he left the group. Steve Carlisle is singing and playing bass in a group called “Dancer” here in the Twin Cities. Rick Helm, as far as I‘ve been able to find out, passed away in 2004 from his ongoing fight with diabetes. Swenson, along with being a real estate broker, has a group here in town called “Cocktail Stevie & the Tablerockers. Loren is playing in a duo also here in town called “The Skip Moore Combo.” Mike Laqua has moved to Wisconsin and at present isn’t playing anymore.

           I stayed on as Bobby Vee’s musical director till May of 2003 and then started a cd duplicating business here in Minneapolis called “Arffytune CD Duplicating.” My youngest daughter, Corrinne, and I also operate a mobil DJ company (Ar J. - D. J.). We’ve been doing the DJ thing since 1999 when Vee decided to cut back on his touring. In July of 2004 I started “Arffytune Records and Distribution,” an internet business selling CDs of various artists. Since September of 2004 I’ve come back part time with Bobby Vee when I’m not doing my DJ thing. (I’m like a bad rash for Bob. I just keep coming back.) Now I can pick and choose the fun gigs --- like going to England and performing with Paul McCartney at Paul’s Buddy Holly tribute concert --- or doing a PBS special in Austin, Texas called “At The Drive-In” where we backed eight acts including the Nelson twins who were doing a tribute to their dad --- or going with the Vee clan for two weeks in Australia --- or going on a cruise to the Caribbean and only having to play one, one hour set for the whole cruise. Like they say in the Bahamas, “Ya Mon,” life is still good!!!

                                                       . . . Ar J. Stevens, over & out.

           In case you’re interested --- the album “Ain’t Rock & Roll Pretty” has just been remastered and is available on CD at my “Arffytune Records” site. Just click on the CD cover below and it’ll take you right there. As a bonus I’ve included our three singles from the 60s and the “Rock On” single from 1982 with the “B” sides. If you’d like to email any of us, click on the swinging mailbox also at the bottom of this page.


Ar Stevens & The Ricochettes


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